Nursery Rhymes

by Vonetta Booker

(January 2002, Vibe magazine) Hip-hop tracks are adding a little bit of flavor.

Hip hop has gone through more styles than Gucci.  We had the James Brown beats of the late '80s and the R&B bass blends of the '90s.  Now, gangsta lyrics and hard-core beats are being sprinkled with something straight from the playground--kiddie choirs.  

Sampling children's voices for a street anthem was a far-fetched idea, until Jay-Z added the vocals from Broadway's Annie to his 1998 hit "Hard Knock Life (Ghetto Anthem)."  In 2000, Busta Rhymes followed suit with "Get Out!!," as did R. Kelly with "I Wish."  Now juvenile vocalists are back on the charts, featured on Trick Daddy's "I'm A Thug," and Krumb Snatcha's police brutality song "W.O.L.V.E.S," from the Training Day soundtrack.  

According to Krumb Snatcha, kid-crooned hooks draw attention to songs about sensitive issues.  The Soto twins, 12-year-old boys, lend their haunting vocals to the "W.O.L.V.E.S." track.  "Now, even teenagers are getting murdered by police in the streets," Krumb says.  "The best way to get the song's message across was to have kids speak up on it, because that's the next generation."

Artists searching for young voices to enhance their tracks often enlist the services of industry veteran Betty Wright.  Her Miami, Fla., youth choirs Wrighteous and Little Project People sing on trick Daddy's track.   The children, ages 4 to 14, have also accompanied Juvenile and Michael Jackson.  Although he may be hard, Trick's still got a soft spot for the kids.  "He always shows us love," says 14-year-old Asher, a choir member and Wright's daughter.  "He puts us first.  It's not like, "Little y'all and big me."

Wright, best known for her '70s hits "Tonight is the Night" and "Clean Up Woman," says she's not overly concerned with Trick's grown-up subjects.  "That's always an issue, but it's entertainment," she says.  "When you give your child a good upbringing, they know right from wrong."  Though Wright admits her work requires a lot of patience, she says it's time well spent.  "It gives them an early start, so this industry doesn't scare them to death."  And for the kids, it's a way to be a part of the music they listen to.  As Krumb Snatcha syas, "Hip hop is for the youth."  Now that's keeping it young. 


web design - just wondering - archives - links - about triscene - holla back - in the backpack - the anti-homebody - contact


Reproduction of material from Scene without written permission is strictly prohibited

Copyright © 2003 Triscene.com  All Rights Reserved.

Designed and published by Vonetta Booker-Brown. Contact: hollaback@triscene.com